Fearless Women

Strong woman.

On my mind today are Harvey Weinstein and the women he offended. Found guilty of some (but not all) of the charges he faced, Mr. Weinstein is now the face of unbridled male supremacy and the suffering women are often forced to endure at their hands. His name alone now represents every obstacle women must often surmount in order to be competitive in today’s society, and as I looked upon him as he half-walked/half-waddled into court every day behind a walker, my thoughts were of the many women who accused him and of the little girl who represents women’s struggle for respect.

With her chin up and hands placed firmly on her hips, the young girl’s slender frame stands rigid and defiant before the massive thing of stone before her. An unseen wind catches her hair and billows her dress like a sail, yet the girl remains still and unyielding. Before her is an artificial thing of enormous size and even greater power, yet the girl’s face shows neither fear nor concern, but unfailing confidence and immeasurable calm. Her name is Fearless Girl, and she is currently a close second to the Statue of Liberty as the New York area’s most famous sculpture.

Placed in opposition to the New York Stock Exchange building in lower Manhattan, Fearless Girl has gained totemic power as the symbol of the resurgent Women’s Rights movement and the more recent #MeToo movement. The statue amply relays the strength and resolve women have always possessed, but it is the sculpture’s very placement which simultaneously imparts visual power unto it while depriving it of even greater relevance due to its repeated appropriation of the dedicated visual space around it.

Just as it did when placed in opposition to Charging Bull—the sculpture made to symbolize America’s economic power—the immovable object represented by Fearless Girl again relays a subtle, unwanted message of women’s firm opposition to our capitalist economy, and that message detracts a bit from its otherwise potent symbolism of women’s empowerment.

The success of every modern woman is the legacy of activist legends such as Susan B. Anthony, Sojourner Truth, and Victoria Woodhull. No feminist and no organization in support of women here in America would ever seek to diminish the financial basis of the very nation in which women are rightfully making their presence and power known as never before. Yet, Fearless Girl was placed to block the progress of the longtime symbol of America’s financial might that is Charging Bull and she now stands in defiance of the New York Stock Market. Accordingly, it is my firm opinion that American women deserve to have Fearless Girl placed in a location that powerfully represents the rise of the female presence and conveys an empowering message devoid of any and all alternate interpretations, one that would ring clear to even the Bill Cosbys and Roman Polanskis of the world.

Strong woman.
Not “Fearless Girl,” yet still a visibly strong woman.

I believe there is but one place in all of New York City where a sculpture of Fearless Girl’s significance should be placed, and that location is in front of the Brown Building at 23-29 Washington Place in Greenwich Village, NY. Formerly called the Asch Building, it was the location where, on March 25th, 1911, a raging inferno blazed through the structure’s top three floors. The levels were then occupied by a blouse manufacturer in which a legion of women toiled away behind locked doors. All exits were sealed because the employers did not want their workers to take unauthorized breaks and to deter theft, and the lack of any means of escape doomed most persons on the factory floors when a massive fire erupted and gutted them completely.

In an eerie precursor to the fires that would rage within the towers of the World Trade Center in 2001, some of those trapped in the factory jumped to their deaths while others had no choice but to wait for the flames to consume them or for the smoke to choke them to death. Amazingly, despite the massive loss of mostly female life, the factory owners were not found guilty of murder or manslaughter due to the locked exits. Instead, they received a large sum of insurance money, profiting them about $400 per victim.

The above is why Fearless Girl needs to be placed before the Brown Building. In 1911, scores of women were trapped and left there to die by heartless male employers, and the women’s lives were literally discounted by the courts. Fearless Girl would stand in opposition to such atrocities while continuing to symbolize the power of modern women. She would show just how far women have come in our nation, just how far they have risen since the horrific tragedy that was the Triangle Shirtwaist Factory Fire.

Advancing from sweatshops to boardrooms is just part of the tale of women in America. The Brown Building, with Fearless Girl standing defiantly outside, would symbolize that progress while honoring the many women whose lives were not valued, whose deaths were never avenged, and whose modern-day counterparts struggle ever forward despite the powerful men aligned against them.

That’s my opinion. Please let me know yours in the comments below.

All the best,
Keith V.


Note: This article is based on a prior blog entry called “A New Home for Fearless Girl.”



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3 thoughts on “Fearless Women

  1. Amazing article as always 👊😊 love the message you have here thank you for sharing the information too since I had no idea about the fire 😱 I think they need to have two statues that way both spots can be commemorated for future generations 🙏

    1. Thanks, Tyler! Yes, the fire and its aftermath were extremely low points for women’s rights in America. The women in the factory were treated like chattel when alive and as sources of income once dead. “Fearless Girl” represents the advances we’ve made in securing women’s rights even though the task is not complete.

      Attention, readers! Please check out Tyler’s blog, “Days of the Dad,” at https://daysofthedad.org/
      His work is real, informative, and moving. Thanks!

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